A decade and change ago I did a short and wholly inadequate post about a duo I absolutely adore. Their bluegrass-y harmonies and lapping waves of melancholy remain singular and, were it not for their untimely dissolution, we would surely be listening to their fourth or fifth album and wondering how many Best Country Duo Performance Grammys one act could collect. Alas, with the virtual guarantee The Civil Wars are done for good, the sort of person that chases these heartsick highs must look elsewhere, and I have.
Happy Valentines Day, reader. I say reader as I’m sure most of you have left this place for more frequently updated pastures, and I can hardly blame you. I have exceeded the one-year-without-posting hard rule and my shunning is required by internet law. However, I return penitent in hopes that I may pass with these offerings. I, however, make no assertions nor intend any implications that should indicate that I expect to post more anytime soon.
Sarah Harmer’s neo-bluegrass is better than your neo-bluegrass. Growing up on country music, I find I still have a significant soft spot for it when it’s done right. Sarah Harmer’s I’m a Mountain is made up entirely of right.
I Am Aglow
Will He Be Waiting For Me
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